As a trailblazer within synth-based sounds with the group the pioneering act revolutionized mainstream melodies and impacting performers ranging from Bowie to Run-DMC.
Presently, the electronic equipment along with devices that Florian Schneider used in crafting Kraftwerk's iconic tracks throughout two decades are estimated to earn hundreds of thousands of dollars when they are sold this coming month.
Music related to his own venture the artist was developing shortly before his death after a cancer diagnosis at 73 years old back in 2020 can be heard as a debut in a video about the auction.
In addition to his portable synth, his flute and his vocoders – which he used for robotic vocal effects – collectors can try to purchase nearly 500 of Schneider’s personal possessions at the auction.
These include his set of more than 100 wind and brass items, many instant photos, his sunglasses, the ID used on tour before 1979 and his VW panel van, which he custom-painted grey.
His cycling gear, which he rode in Kraftwerk’s Tour de France music video and is depicted on the single’s artwork, will be auctioned on 19 November.
The total estimated value for the auction is $450,000 to $650,000.
Kraftwerk were groundbreaking – as pioneers employing synthesizers crafting compositions that no one had ever heard of before.
Other bands viewed their songs “mind-blowing”. They suddenly discovered an innovative direction for compositions pioneered by the band. This motivated a lot of bands to explore synthesizer-based tunes.
Among the lowest-priced items, an assortment of about 90 Polaroid photographs he captured featuring his wind collection is on sale at a low estimate.
Other quirky objects, such as a see-through, bright yellow acrylic guitar and an unusual insect replica, which was mounted on Schneider’s studio wall, are priced at a few hundred.
The musician's green-lens sunglasses and Polaroid photographs featuring the glasses are listed at $300–$500.
He felt that they are meant to be played and circulated – not stored away or collecting dust. His desire was his tools to be passed to individuals who appreciate them: performers, hobbyists and admirers by the art of sound.
Reflecting on Kraftwerk’s influence, a well-known drummer commented: Initially, we loved Kraftwerk. That record that made us all take notice: what is this?. They produced unique material … something completely new – they were consciously rejecting the past.”
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Bonnie Nichols
Bonnie Nichols
Bonnie Nichols
Bonnie Nichols